As a kid, I was the one who got the weird looks from other kids—and even grownups—when I questioned something too hard, delved too deep, debated too much, tried to figure out the why of it from a deep human place. It wasn’t until I began writing plays that I found a place to put all those thoughts, and not only put them, but put them in a place where they make sense, a place where I can not only ask the questions, but also get other people to consider them. Where I can put forth an uncomfortable truth, even if it's through history or comedy or adaptation. For a long time, my work centered on posing myriad complicated questions and asking audiences to consider all sides.

The pandemic made me realize something else at the core of having been the kid who always got weird looks, was mocked and bullied, who always felt on the outside: a desperate need for connection. And when you connect asking the complicated question to that, you end up with the grandmama of all questions: why do we find it so difficult to connect with people who are not like us? This feels to me like an extension of all I’ve written before, a discovery of the theme that underlies everything and which continues to drive my work.

INTERVIEWS

BIO

Playwright and screenwriter Donna Hoke’s work has been seen in 48 states and on five continents, including at Barrington Stage, Barrow Group, Celebration Theatre, Gulfshore Theatre, Queens Theatre, The Road, Writers Theatre New Jersey, Phoenix Theatre, Atlantic Stage, Purple Rose, Skylight, Pride Films and Plays, New Jersey Rep, Hens and Chickens (London), The Galway Fringe Festival, and Actors Repertory Theatre of Luxembourg. Plays include BRILLIANT WORKS OF ART (Kilroys List), ELEVATOR GIRL (O’Neill and Princess Grace finalist), SAFE (winner of the Todd McNerney, Naatak, and Great Gay Play and Musical Contests), and TEACH (Gulfshore New Works winner). She has been nominated for both the Primus and Blackburn Prizes, and is a three-time winner of the Emanuel Fried Award for Outstanding New Play (SEEDS, SONS & LOVERS, ONCE IN MY LIFETIME). She has also received an Individual Artist Award from the New York State Council on the Arts to develop HEARTS OF STONE, and, in its final three years, Artvoice named her Buffalo's Best Writer—the only woman to ever receive the designation.

Donna also serves on the Dramatists Guild Council, is an ensemble playwright at Road Less Traveled Productions, blogger, moderator of the 12,000+-member Official Playwrights of Facebook, New York Times-published crossword puzzle constructor; author of Neko and the Twiggets, a children's book; and founder/co-curator of BUA Takes 10: GLBT Short Stories. Speaking engagements include Citywrights, Kenyon Playwrights Conference, the Dramatists Guild National Conference, Chicago Dramatists, the Austin Film Festival, and a live Dramatists Guild webinar. Her commentary has been seen on #2amt, howlround, The Dramatist, the Official Playwrights of Facebook, Workshopping the New Play (Applause, 2017), and at donnahoke.com.